Kumbalangi nights online
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He takes her to the hospital, where she gives birth to a baby girl. Stricken with remorse, Saji goes to Vijay's house to apologise to his wife, Sathi, where he finds her in labour. Vijay saves him but loses his own life in the process. In his drunken stupor, Saji tries to commit suicide. Ashamed, Saji leaves the house and takes to drinking with his friend Vijay. Bonny, who is very protective of Franky, hits Saji. One day, a fight breaks out between Saji and Franky. Saji tries to console Bobby and asks him to get a job, which he does. Shammi rejects the proposal and ridicules the poor reputation that Bobby's family has among the villagers.
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Bobby asks Saji to accompany him, and together they go to meet Shammi, Baby's brother-in-law. He eventually proposes to her, but she asks him to talk to her family first. Franky is ashamed of Saji and Bobby but gets along well with Bonny, who is mute and kind.īobby starts dating Baby, a girl who lives nearby. Saji has anger management issues, and often gets into fights with Bobby, an unemployed youngster. When their father dies, the mother abandons the boys to join a religious mission, leaving Saji to be the man of the house. Saji's father had married Bonny's mother, who then gave birth to Bobby and Franky. The first half of the film starts out as a character-driven, while in the second half, the plot takes over kudos to all that both work very well and gives us a film that is well-worth a watch.Saji, Bonny, Bobby and Franky are four brothers living in a small, dilapidated house in the village of Kumbalangi. What seems like a broken down house actually ends up holding a lot of love, while a house that seems quaint and systematic on the outside harbours secrets. The heavyweight moments in the film are dealt with comic one-liners that actually come across as good bits of philosophy for life. The tense and surprising climax comes with the attempt to carry the relationship between Bobby and Babymol to its logical conclusion. Credit to scriptwriter Syam Pushkaran for not providing easy answers or making anything seem forced, except perhaps for Sreenath Bhasi’s love angle. In a twist, the house is suddenly filled with women, but not Babymol, and the men start to find purpose and answers in their lives, willingly or unwillingly. Shammy will not allow Bobby and Babymol to marry not surprising, considering his rightful argument that Bobby does not have a job and comes from a family of ill-repute.
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Full points to Grace Antony for shining in a small role. We would venture to say that he is in award territory again.Īnd the women in his house and the background music accompanying his words and actions are the perfect foil to his character. Is it his OCD, or is it his intrusiveness or his ever-smiling passive aggressiveness? Fahadh plays his role flawlessly, making you laugh nervously. There is something menacing about Shammy. Her sister, played by Grace Antony, has just recently married Shammy, portrayed by Fahadh Faasil. While doing a one-off fishing job which is basically a demonstration for tourists, Bobby kindles an affair with tourist guide Babymol, played by newcomer Anna Ben, whose family also runs a homestay. These are not the kind of real characters we are used to seeing in our films, and 'Kumbalangi Nights' feels more special for that. Saji and Bobby are a couple of losers spending their days lying around without doing any work and mooching off others.
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There is a shed-like house in which four step and half-brothers, played by Shane Nigaam (Bobby), Soubin Shahir (Saji), Sreenath Bhasi and promising young, footballer Mathews, come and go, but not before trading punches and barbs with each other. The story takes its time to unfold, without feeling like a drag, in the first half in the fishing hamlet of Kumbalangi. Well, ‘Kumbalangi Nights’ gives all the actors the chance to prove that statement and every one of them delivers unfailingly in this charming little movie, ably directed by first-timer Madhu C Narayanan. Review: You know how actors say that is not the length of the role or even whether they play the main character, but the quality of the role that matters to them. Story: The film is a story of four brothers, and how a handful of situations test their sibling dynamics.